Twenty years on, one can pinpoint any Nanny ‘look’ as an outfit they themselves has worn, thrifted, or digitally saved. It made Fran’s style much more unique.” The post has over 12,000 likes. “ ? ? ? This orange blazer is from avant-garde designer Val Piriou,” reads the caption on one image, “…I love that Brenda Cooper used up and coming designers of the decade. Read Next || Why Did We Force Billie Eilish Into Baggy Clothes? The dream team that is costume designer Brenda Cooper and The Nanny‘s inceptor created a character whose aesthetic is so memorable, it has an entire Instagram account dedicated to documenting each of her outfits-worth noting, has more online disciples than even Drescher herself. A more appropriate descriptor for Fine is ‘ageless’-and Drescher isn’t the only woman responsible for that.
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The word ‘enduring’ is often associated with characters that have such an impact on the pop cultural conscious, they are referenced far beyond their retirement.
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What my father found most shocking was the fact that the nanny, in her Moschino, mini skirts, and square-toed mules, must now be, well, his age. It was not my journalistic prowess, or the ‘get’ itself, that subsequently subdued him into silent disbelief, but the fact that it had been two decades since he had seen Fine on air. It was to mark the 20th anniversary of her sitcom’s final episode, I explained, a show that she did not only star in but created: The Nanny. On the phone with my dad, I gleefully revealed I had scheduled an interview with Fran Drescher.